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Beyond The Hypnosis

by Jonas Kopp

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1.
Ork 04:46
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2.
Ironcry 06:45
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3.
Voices In My Head (Dub) 06:16
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4.
Red Planted 06:40
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5.
Planet MU 06:45
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6.
Circe 06:52
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7.
Sea Of Pluton 04:32
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8.
Green Square 05:58
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9.
Seven 06:50
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10.
Tau Ceti 04:52
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11.
Alpheratz 05:41
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12.
528 Hz 04:21
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about

If there’s one thing Jonas Kopp has proven over the last decades is that he can turn his hand to just about anything. Since debuting on Pfirter’s revered MindTrip Music back in 2006, the Buenos Aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic music’s various forms.

From warm Chicago house through to deep, dark and driving techno on labels like Deeply Rooted House, Stroboscopic Artefacts and more, Kopp’s hypnotic and heady sentiment has remained the red thread throughout, which has allowed him to flourish as one of techno’s more liberal dance floor purveyors. For Illian Tape he strayed out of the ring entirely to deliver two billowing, orchestral-sized ambient works in 2014; proof that there’s still plenty more to come from someone already so well-versed and dexterous in his craft.
It’s high time then, that Jonas Kopp should present his first full-length effort. “Beyond The Hypnosis” weaves Kopp’s discursive repertoire into a single and concise narrative, covering both familiar ground and exploring new and spellbinding territories, along with just a hint of cosmic neo-retroism that makes this a welcomed edition to the Tresor catalogue.

“Beyond The Hypnosis” is a techno album as ambiguous and unrestrained as its astrological muse. This is Kopp at his most wayfaring with titles like “Seven” and “Green Square” showing off more of the producer’s flare for spacey, subaqueous music. There is of course plenty of floor-facing material as well, delivered with less stringent functionality than we’ve seen from him before. The perverted “Tau Ceti”, for example, or the basement-dwelling single “Red Plented” have been tarnished with the same brush as this album’s more dreamier moments, setting them apart from stand-along experiments to work collectively as a symbiotic and fully-fleshed whole.

credits

released November 10, 2014

All tracks Written and Produced by Jonas Kopp.
Recorded in Berlin, 2014.
Published by Copyright Control.

(P)&(C) 2014 Tresor Records GmbH
Tresor Records
www.tresorberlin.com

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Tresor Records Berlin, Germany

When Tresor opened on March 13th 1991 in a shack on Potsdamer Platz, beneath which the vault of the Wertheim department store lay, no one would have thought that from there would arise an institution that one day would celebrate 33 years of existence.

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